2009, ISBN: 9780415880206

edizione con copertina flessibile, edizione con copertina rigida

New York:: Henry Holt,, (2009.). SIGNED hardcover first edition -. Fine in fine dust jacket (a new copy.). First printing. "According to Chinese tradition, those who die hungry or … Altro …

New York:: Henry Holt,, (2009.). SIGNED hardcover first edition -. Fine in fine dust jacket (a new copy.). First printing. "According to Chinese tradition, those who die hungry or unjustly come back to haunt the living. Some are appeased with food. But not all ghosts are successfully mollified. In this chilling collection of stories, Ying Chang Compestine takes readers on a journey through time and across different parts of China. From the building of the GreatWall in 200 BCE to themodern day of iPods, hungry ghosts continue to torment those who wronged them. At once a window into the history and culture of China and an ode to Chinese cuisine, this assortment of frightening tales--complete with historical notes and delectable recipes--will both scare and satiate!" SIGNED and dated by the author on the half title page. 180 pp., Henry Holt, 5, Paperback / softback. New. Finally a thorough and unbiased examination of the psychological and sociological aspects of masturbation This book shows that masturbation is a critical component in the development of sexual health, explores the power both negative and positive of the act, and outlines viable ideas for future research. It also presents a concise historical overview of societal attitudes toward masturbation and reports on changes in masturbatory behavior in the twentieth century, including the trend toward an earlier age when women begin to masturbate and the increased recognition of masturbation as a source of sexual pleasure irrespective of relationship status or other sexual activity. The book will also familiarize you with some surprising information about the relationship between masturbation and HIV risk among samples of women attending college and low-income African-American women. Finally, Masturbation as a Means of Achieving Sexual Health examines the connections between masturbation and other sexual activity, sexual fantasy, and desire. Written with a minimum of jargon, Masturbation as a Means of Achieving Sexual Health examines: societal attitudes toward masturbation from pre-biblical Egyptian and Babylonian civilizations to biblical times, the Christian era, Hindu civilization, ancient China, and more generational perspectives on masturbation the relationship between masturbation habits and sexual health in low income African-American women the factors associated with masturbation as practiced by college students the complex interrelationship of sexual fantasy, desire, and masturbation ways that masturbation can be utilized as a therapeutic tool in sex therapy, 6, Chicago, IL: Triumph Books, 2008. Presumed First Edition, First printing. Hardcover. Very good. xi, [1], 244 pages. Audio CD in pocket on fep. Black and White illustrations. Format is approximately 8.25 inches by 9.5 inches. Foreword by Curt Schilling. This book could not have happened without the enthusiasm and support of the National World War II Museum. Includes essays, sections, and ballplayer profiles by Gordon "Nick" Mueller, Gary Bedingfield, Frank Ceresi, William Mead, as well as the editor. A perspectives section included articles by Bill Swank, Kerry Yo Nakagawa, Merrie FIdler, and Terry Allvord. It also includes a list of Major Leaguers who served in WWII and a list of Major and Minor Leaguers killed during WWII. Among the interesting essays is on on the Chemical Warfare Service. On December 7, 1941, the Japanese attacked Pearl Harbor, plunging the United States into World War II. The next day, Bob Feller, star pitcher for the Cleveland Indians, enlisted in the U.S. Navy--becoming the first major-league ballplayer to join the military during the war--and volunteered immediately for combat service. The dramatic confluence of patriotism and the national pastime changed not only the lives of many enlistees, but of America itself. When Baseball Went to War is the stirring account of how Feller and other major leaguers answered their nation's call, leaving their homes and loved ones for duty, honor, and country. The lucky ones sacrificed only a few years of their playing careers; others sacrificed their lives. Men like Yogi Berra, Dom DiMaggio, Monte Irvin, Jerry Coleman, Moe Berg, Ted Williams, Johnny Pesky, and Warren Spahn, called heroes at the ballpark by their adoring fans, discovered true heroism in the lives of their fellow servicemen and women who never made it home., Triumph Books, 2008, 3, Privately Printed Book. Good. Soft cover. (1903), 84pp. Pictorial wrps. The paper is brittle and toned, the edges are chipping, still perfectly legible. G. In plastic report covers. Jillson RARE KENTUCKY BOOKS, p171 for the 141 page version. See Coleman 3204 for this one. In one of the most famous of all Kentucky cases, Powers was charged with being an accessory before the fact to the murder of Kentucky Governor-elect William Goebel at Frankfort on January 30, 1900. Upon change of venue, he was tried in the Scott Circuit Court and confined to the Georgetown jail for several years. He was actually tried four times, being convicted in the first three, but the verdicts were overturned. The last trial deadlocked. So far as I know, Goebel remains the only Governor in American history to die in office of wounds inflicted by an assassin. After all these years, the evidence is too contradictory and the people involved were too partisan so that we still do not know with certainty who killed the governor.., Privately Printed, 2.5, New. <i>The American Revolution in Georgia </i>explores the political, economic, and social impacts of the American Revolution throughout the state of Georgia. In this detailed historical study, Kenneth Coleman describes the events leading up to the Revolution, the fighting years of war, and the years of readjustment after independence became a reality for the United States. Coleman investigates how these events impacted Georgia’s history forever, from the rise of discontent between 1764 and 1774 to the fighting after the siege in Savannah between 1779 and 1782 and changes in interstate affairs between 1782 to 1789, and more. <i>The American Revolution in Georgia </i>contributes to the complicated history of the American Revolution and its impacts on the South.<br /><br />The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities., 6, New. From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre's racialized imagery, as well as the narratives that make up popular culture's commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian &quot;Nollywood&quot; Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen., 6<

ISBN: 9780415880206

From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Bla… Altro …

From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian Nollywood Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen. New Textbooks>Trade Paperback>Movies & TV>Film Studies>Film Studies, Taylor & Francis Core >1 >T<

ISBN: 9780415880206

New. From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: B… Altro …

New. From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre's racialized imagery, as well as the narratives that make up popular culture's commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian &quot;Nollywood&quot; Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen., 6<