2006, ISBN: 9781931082921

edizione con copertina flessibile, edizione con copertina rigida

Norwalk:: Easton Press,. Fine. 1980. Hardcover. Introduction by John Mason Brown. Illustrated by Edward A. Wilson. Collector's edition. Tall octavo, fully bound in burgundy leathe… Altro …

Norwalk:: Easton Press,. Fine. 1980. Hardcover. Introduction by John Mason Brown. Illustrated by Edward A. Wilson. Collector's edition. Tall octavo, fully bound in burgundy leather with gilt lettering and design, raised bands along spine, all edges gilt, silk moire endpapers, sewn-in ribbon book mark. Fine.; 123 pages ., Easton Press, 1980, 5, Philadelphia and New York: J.B. Lippincott, 1958. Hardcover. Fine/Near Fine. First edition. 12mo. 319pp. Fine in slightly soiled near fine dust jacket., J.B. Lippincott, 1958, 4.5, The Easton Press, Masterpieces of American Literature, Collector's Edition, 1974. Illustrated by John Groth. Hardcover. No dust jacket. Used - Near Fine. Easton Press bookplate with prior owner's name affixed to front fly leaf. Else Fine / As New. Appears unopened / unread. Bound In full (genuine) brown leather with hubbed spine. Text block is tight and clean with no other ownership markings. Embossed in 22kt gold on the spine and front and back covers. Heavy duty binding boards. Printed on acid-neutral, archival paper with gilded edges. Smyth sewn with concealed muslin joints, silk moire fabric end leaves, and permanent satin ribbon marker. Photo is of the copy we have at Barbed Wire Books., Easton Press, 1974, 4, Barlaston, Eng. : Wedgwood Memorial College], 1960., 1960. Good. 3rd edition, 76 pp., [4] leaves of plates : illustrated ; 21 cm. ; LC: NK4335; Dewey: 738.37 ; OCLC: 5973076 ; stiff dark green paper covers ; remains of old label abrasion on front cover ; G, Barlaston, Eng. : Wedgwood Memorial College], 1960., 1960, 2.5, UK, 1893. First Edition . Paper. Good. 48mo - over 3 - 4" tall. An Original Hand Written Envelope and Letter by Anthony Wilson Thorold Bishop of Winchester. Dated 1893 and Signed A Winton. Autograph Letter discussing a meeting of a new board. Anthony Wilson Thorold 1825-1895 was an Anglican Bishop of Winchester in the Victorian era. The son of a Church of England priest, he also served as Bishop of Rochester. It was in that role that he travelled throughout North America and met with leaders of the Church of Jesus Christ of Latter-day Saints. While he wrote a number of devotional books, he is best remembered for having recruited Isabella Gilmore to revive the female diaconate in the Anglican Communion. Provenance: From the family of autograph collector Emily Mary Rose Lee (1869-1949), wife of Colonel William Crawford Walton (1864-1937). Emily was the daughter of William Lee, Professor of Ecclesiastical History at the University of Glasgow from 1874 to 1886, and granddaughter of John Lee (1779-1859), Principal of Edinburgh University from 1840 to 1859. Size is 155m x 98mm. Condition is good. More images can be taken upon request. Ref17164, 1893, 2.5, United States * * * * * : BEATTY & FORST. Hardcover. Fair. ***** . B00K: Fair/Poor/, $102.15 the GOLDEN BUTTERFLY ALBUM * UnKnown Author BEATTY & FORST NEW YORK ~ UnKnown Date Of Publication. UnKnown Edition United States * * * * * Rectangular/Wide H/c. Embossed Front Cover Sun Lightening On An Tan Tattered Embossed Spine With No Title, Hard Cover B00K: Fair/Poor/, Shelf, Edge And Corner Wear. Some Pages Are Loose From Spine And Included. Signatures And Dates Are Hard To Read, Due To Poor Handwriting And Fading Ink. Appears To Be A Book Of Friends Endorsements And Best Wishes. Dates And Signed Endorsements, Starting Inside Front Cover, December 25th 1883. Miss Hattie N Gales. Jessup, Feb 14, 1888, Leona M Caltron, Rising F. 12th 1884, Lydia M Hales, Rising Feb 18, 84, John Howeny. Hales, Feb 17 1884, Maggie Hales, June 11th 1800, Blanche E Williams, Feb 7th 1884, George Ford, March 30th 1902, Miss Blanche Williams, Airrie Seegers, T. F. Cattron, March 16, 1884, T. M. Ellis, March 16th, 1884, L. E. Ellis, April 10th 84, Francine Eschliman, 8/12/84, H. J. Halls, March 28 1892, Edith Cattron, Feb 21, 1884 J. H. Williams, Mar 4th 1894, Addie Blas Burr, April 4th, 1885, Elizabeth Smith, June 29, 1894. Elva George, Feb 12th 1888, Mrs, H. F. Thayer, 10-25-85, Maria Smith, E. G. Hall, Darley R Collings, Feb. 25, 1888, Gerry Dailey, Feb. 25, 1888 Mrs Dora Darley, March 1884, Ella L. Tyler, Mary E Benan, New Years Day 1875, Lanra, May 27, 92 W. H Caniach, March 23, 1896, Clara El Field, Aug 7, 1892, Franees Hering, June 19, 1892, Augusta Hering, April 10,18'4, Cora Herrs, March 13, 95, Walter L Seaman, Mary Parsley, Feb 26th 1892, Feb 9th 1884, Harriet Paroley, 3-8-1886, Hattie M. Rankin, Nov., 10 1885, Feburary 26 1892, Mrs B H. Rooth, Nov 25, 85, E. G. J. Cleveland, Feb 29th 1904, Mrs, H. Blackmore, May 19th 1897, Addie M. Stine Hakin, June 15, 1902, Ertel Stonebrake, Mar. 20th 1892, Hattie Field, Oct 19th 89, A A Seagers, May 25, Mrs Mollie Frantmann, C. Randale, R. Stufford, G W Stafford, June 15th 1902, Miss Mira Stonebrakes, March 30th 1884 Mrs Diff, June 15, 1902, Bob L Stonebaker, Sept 16, 1890, Edmund Knowthon, Jan 29th 1883, Minnie Wilson, Jan 30th 1885, Katie Wilson, Sept 15 1890, Abbie Knowlton, Jan 29th 1885, H. H. Grant, Mar. 19/00, Beat Coley, Mar 19, 1905, Lou Cooley, March 24th 1884, Ida Diff, Aurilla Carpenter, Maudie L. Thayer Jerr 12, 1888, Sept 5, 1885 Burtha Durkee, Jan 9 1884 F. Cllis, Chas Diff, Aug 7, Mrs Ida Herring. = No Stains, No Odors, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Remainder Or Other Marks. = Description Applies To This B00K, Only. = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE., BEATTY & FORST, 2, New York: Random House, 1970. First edition. Cloth. Edges foxed else a near fine copy in a near fine dust jacket.. Illus. with 4 b/w maps and 58 photos. 8vo. Inscribed by the author to the well-known Americana collector Al Lowman. An account of General John J. Pershing's expedition and running battle with Pancho Villa. Pershing was ordered into Mexico by Wilson., Random House, 1970, 4, Norwalk, CT: Easton Press, 1998. Book. Near fine condition. Hardcover. First Edition. Octavo (8vo). 418 pages of text. Hardcover binding with minimal shelfwear. Silk endpapers and page marker ribbon. All page edges gilt. Illustrated by John Groth. Introduction by Edward Wagenkneckt. Stated "Collector's Edition. Bound in Genuine Leather." The text is clean and unmarked. First edition, first printing with the special contents of this edition.., Easton Press, 1998, 4, The Bibliotheca Burnsiana - Life and Works of Burns: Title Pages and Imprints of the Various Editions in the Private Library of James McKie, Kilmarnock, Prior to Date 1866 was published in 1866 by James McKie, Printer in Kilmarnock, UK. The booklet, which measures approximately 5 ¼ x 8 inches, contains 43 pages and is bound in a hard cover. A photograph of Robert Burns is included as a frontispiece. The listing of Burnsiana in McKie's library appears on pages 3 to 33 and are numbered consecutively from I to CCLXXXVII (1 to 287). An Addenda follows with a listing of Editions of Burns which are not in McKie's private library. That listing contains items listed consecutively from I to CXCI (1 to 191). On the inside back cover is handwritten ownership statement of DeWitt Miller, a previous owner of this item.The pictures accompanying this description show the front cover, a two-page spread showing the frontispiece and title page, and a typical two-page spread of the text. The pages are tanned, but the text is clear and easily read. The covers are worn on the corners, and the taped spine appears to be a recent addition. The overall condition of the booklet is good/very good.James McKie or James M'Kie (1816 - 1891) was an apprentice of Hugh Crawford, John Wilson's successor at the Kilmarnock Cross printing business. In 1867 McKie published the first facsimile edition of the 1786 'Kilmarnock Edition' or Poems, Chiefly in the Scottish Dialect as well as various bibliographies, reprints, special editions, limited editions, etc. of Robert Burns's and other works for the Scottish, British, British Empire or North American markets. He became an avid collector of Burnsiana and put together the largest collection of published works in the world at the time, that was eventually purchased by the local Kilmarnock Corporation and housed in the Kay Park Burns Museum. [Wikipedia]Robert Burns (25 January 1759 21 July 1796) was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. [Wikipedia]Dewitt Miller (March 1, 1857 July 29, 1911) was an educator, librarian, journalist, minister, orator, and book collector. Miller was an obsessive book collector, which began in his youth. [Wikipedia], James M'Kie, 1866, 2.5, New York City, NY: The Library Of America, 2006. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. New York City, NY: The Library Of America, 2006. Hardcover. Fine/Fine. First Edition/First Printing. 720 pages. Landmark collection of essays on subject. One of the most valuable film anthologies of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as "A Special Publication" by The Library of America. The First Edition is now scarce. Presents Phillip Lopate's "American Movie Critics: An Anthology From The Silents Until Now". That is, right before what appears to be its irreversible decline as a memorable film-going experience (with the rise of "streaming" on tiny smartphones), and therefore, as an art. Meanwhile, here is a full history of cinema from the points-of-view of the thoughtful, insightful, and brilliant writers who fell in love with the medium and embraced it. "A provocative and dynamic force in American culture since the early twentieth century, movies have presented several generations of American writers with a new, fascinating, and challenging subject. How writers rose to the challenge, and in the process created an extraordinary body of work makes for a dazzling and constantly entertaining volume. This is an anthology that charts the rise of movies as art, industry, and mass entertainment. Beginning in the Silent Era, with poets Vachel Lindsay and Carl Sandburg hailing the new medium and Edmund Wilson paying tribute to Chaplin's 'The Gold Rush', the collection traces the rapid evolution of the medium in an age of tumultuous political and social changes. Here are the great movie critics who forged a forceful vernacular idiom for talking about the new art: Otis Ferguson in the 1930's; James Agee in the 1940's; Manny Farber, Pauline Kael, Andrew Sarris, Molly Haskell, Vincent Canby, and others from what Lopate calls the Golden Age of movie criticism, from the 1950's through the 1970's. Here too are the finest film reviewers on the contemporary scene, including Richard Schickel, Roger Ebert, and Manohla Dargis. Joining the full-time film writers are many distinguished American authors weighing in on a range of cinematic experiences, including Ralph Ellison, Susan Sontag, James Baldwin, Brendan Gill, and John Ashbery" (Publisher's blurb). "An on-the-spot history of the coming-into-being of a new narrative medium. The arc of this story, as traced by Phillip Lopate, is thrilling" (Jonathan Lethem). Indeed, much of the credit goes to its indefatigable and erudite editor, himself a distinguished writer and keen observer of film: "I have focussed on film criticism as an art in itself, the magnet for strong, elegant, eloquent, enjoyable writing" (Phillip Lopate). An absolute "must-have" title for Phillip Lopate, American literature, and film collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Phillip Lopate. It is signed directly on the page itself, not on a tipped-in page. This title is a great collection. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the much more common Softcover Edition. Copies available online have serious flaws because they have been pored over. This is surely an accessible and lovely alternative. A rare signed copy thus. Some of the greatest writers of the 20th century and our time. A fine copy. . ISBN 1931082928., The Library Of America, 2006, 5<

2006, ISBN: 9781931082921

edizione con copertina flessibile, edizione con copertina rigida

New York City, NY: The Library Of America, 2006. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. New York City, NY: The Library Of America, 2006. Hardcover. Fine/Fine… Altro …

New York City, NY: The Library Of America, 2006. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. New York City, NY: The Library Of America, 2006. Hardcover. Fine/Fine. First Edition/First Printing. 720 pages. Landmark collection of essays on subject. One of the most valuable film anthologies of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as "A Special Publication" by The Library of America. The First Edition is now scarce. Presents Phillip Lopate's "American Movie Critics: An Anthology From The Silents Until Now". That is, right before what appears to be its irreversible decline as a memorable film-going experience (with the rise of "streaming" on tiny smartphones), and therefore, as an art. Meanwhile, here is a full history of cinema from the points-of-view of the thoughtful, insightful, and brilliant writers who fell in love with the medium and embraced it. "A provocative and dynamic force in American culture since the early twentieth century, movies have presented several generations of American writers with a new, fascinating, and challenging subject. How writers rose to the challenge, and in the process created an extraordinary body of work makes for a dazzling and constantly entertaining volume. This is an anthology that charts the rise of movies as art, industry, and mass entertainment. Beginning in the Silent Era, with poets Vachel Lindsay and Carl Sandburg hailing the new medium and Edmund Wilson paying tribute to Chaplin's 'The Gold Rush', the collection traces the rapid evolution of the medium in an age of tumultuous political and social changes. Here are the great movie critics who forged a forceful vernacular idiom for talking about the new art: Otis Ferguson in the 1930's; James Agee in the 1940's; Manny Farber, Pauline Kael, Andrew Sarris, Molly Haskell, Vincent Canby, and others from what Lopate calls the Golden Age of movie criticism, from the 1950's through the 1970's. Here too are the finest film reviewers on the contemporary scene, including Richard Schickel, Roger Ebert, and Manohla Dargis. Joining the full-time film writers are many distinguished American authors weighing in on a range of cinematic experiences, including Ralph Ellison, Susan Sontag, James Baldwin, Brendan Gill, and John Ashbery" (Publisher's blurb). "An on-the-spot history of the coming-into-being of a new narrative medium. The arc of this story, as traced by Phillip Lopate, is thrilling" (Jonathan Lethem). Indeed, much of the credit goes to its indefatigable and erudite editor, himself a distinguished writer and keen observer of film: "I have focussed on film criticism as an art in itself, the magnet for strong, elegant, eloquent, enjoyable writing" (Phillip Lopate). An absolute "must-have" title for Phillip Lopate, American literature, and film collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Phillip Lopate. It is signed directly on the page itself, not on a tipped-in page. This title is a great collection. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the much more common Softcover Edition. Copies available online have serious flaws because they have been pored over. This is surely an accessible and lovely alternative. A rare signed copy thus. Some of the greatest writers of the 20th century and our time. A fine copy. . ISBN 1931082928., The Library Of America, 2006, 5<

2006, ISBN: 1931082928

edizione con copertina rigida, Prima edizione

[EAN: 9781931082921], Gebraucht, guter Zustand, [PU: New York City, NY: The Library Of America, 2006], Jacket, 1st Printing. Signed. 720 pages. Published in 2006. Landmark collection of e… Altro …

[EAN: 9781931082921], Gebraucht, guter Zustand, [PU: New York City, NY: The Library Of America, 2006], Jacket, 1st Printing. Signed. 720 pages. Published in 2006. Landmark collection of essays on subject. One of the most valuable film anthologies of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as "A Special Publication" by The Library of America. The First Edition is now scarce. Presents Phillip Lopate's "American Movie Critics: An Anthology From The Silents Until Now". That is, right before what appears to be its irreversible decline as a memorable film-going experience (with the rise of "streaming" on tiny smartphones), and therefore, as an art. Meanwhile, here is a full history of cinema from the points-of-view of the thoughtful, insightful, and brilliant writers who fell in love with the medium and embraced it. "A provocative and dynamic force in American culture since the early twentieth century, movies have presented several generations of American writers with a new, fascinating, and challenging subject. How writers rose to the challenge, and in the process created an extraordinary body of work makes for a dazzling and constantly entertaining volume. This is an anthology that charts the rise of movies as art, industry, and mass entertainment. Beginning in the Silent Era, with poets Vachel Lindsay and Carl Sandburg hailing the new medium and Edmund Wilson paying tribute to Chaplin's 'The Gold Rush', the collection traces the rapid evolution of the medium in an age of tumultuous political and social changes. Here are the great movie critics who forged a forceful vernacular idiom for talking about the new art: Otis Ferguson in the 1930's; James Agee in the 1940's; Manny Farber, Pauline Kael, Andrew Sarris, Molly Haskell, Vincent Canby, and others from what Lopate calls the Golden Age of movie criticism, from the 1950's through the 1970's. Here too are the finest film reviewers on the contemporary scene, including Richard Schickel, Roger Ebert, and Manohla Dargis. Joining the full-time film writers are many distinguished American authors weighing in on a range of cinematic experiences, including Ralph Ellison, Susan Sontag, James Baldwin, Brendan Gill, and John Ashbery" (Publisher's blurb). "An on-the-spot history of the coming-into-being of a new narrative medium. The arc of this story, as traced by Phillip Lopate, is thrilling" (Jonathan Lethem). Indeed, much of the credit goes to its indefatigable and erudite editor, himself a distinguished writer and keen observer of film: "I have focussed on film criticism as an art in itself, the magnet for strong, elegant, eloquent, enjoyable writing" (Phillip Lopate). An absolute "must-have" title for Phillip Lopate, American literature, and film collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Phillip Lopate. It is signed directly on the page itself, not on a tipped-in page. This title is a great collection. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the much more common Softcover Edition. Copies available online have serious flaws because they have been pored over. This is surely an accessible and lovely alternative. A rare signed copy thus. Some of the greatest writers of the 20th century and our time. A fine copy. ISBN 1931082928., Books<

2006, ISBN: 9781931082921

New York The Library of America 2006. First Edition. Hardcover. 1931082928 Black boards with black lettering/decoration, 720+ pages, sources, and acknowledgments. A near fine copy with a … Altro …

New York The Library of America 2006. First Edition. Hardcover. 1931082928 Black boards with black lettering/decoration, 720+ pages, sources, and acknowledgments. A near fine copy with a remainder mark to the lower pages edge in Near Fine Dust Jacket with light edge wear.clph, The Library of America, 2006, 4<

2006, ISBN: 1931082928

[EAN: 9781931082921], Gebraucht, sehr guter Zustand, [SC: 13.41], [PU: Library of America], Cover edges have light shelf wear. Pages are clean/intact., Books