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Drawing in Early Renaissance Italy. - Ames-Lewis, Francis

(*)

Ames-Lewis, Francis:
Drawing in Early Renaissance Italy. - Livres de poche

2000, ISBN: 9780300079814

[PU: New Haven ; London : Yale University Press], XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of … Plus…

[PU: New Haven ; London : Yale University Press], XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed, somewhat stained edge, otherwise very good and clean. / Leicht berieben, etwas angeschmutzter Schnitt, sonst sehr gut und sauber. - During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. By 1500 it had become fundamental to the training and practice of the Italian artist and the primary means by which he explored new interests and discovered solutions to new representational problems. Few Italian drawings survive from the early fifteenth century, but a rapid increase in the production and use of paper has resulted in the survival of enough later fifteenth-century drawings to permit a reconstruction of their role in artistic practice. The book opens with a brief history of earlier drawings and a discussion of the various artistic problems which drawings could help to resolve. Through the works of the major fifteenthcentury draughtsmen — Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci — Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon. He considers the problems and possibilities of different techniques and investigates studio practice and the relation of the drawing to the final work of art. This incisive introduction to the subject of early Renaissance drawings throws fresh light on one of the great centuries of Italian art, and by reflection illuminates further the activities of the masters of the High Renaissance. - Francis Ames-Lewis is Professor of the History of Renaissance Art at Birkbeck College, University of London. ISBN 97803, DE, [SC: 4.50], gebraucht; sehr gut, gewerbliches Angebot, [GW: 675g], 2nd ed., Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

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Drawing in Early Renaissance Italy. 2nd ed. - Ames-Lewis, Francis

EXEMPLE

(*)

Ames-Lewis, Francis:
Drawing in Early Renaissance Italy. 2nd ed. - Livres de poche

2000, ISBN: 9780300079814

New Haven ; London, Yale University Press, XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Cla… Plus…

New Haven ; London, Yale University Press, XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed, somewhat stained edge, otherwise very good and clean. / Leicht berieben, etwas angeschmutzter Schnitt, sonst sehr gut und sauber. - During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. By 1500 it had become fundamental to the training and practice of the Italian artist and the primary means by which he explored new interests and discovered solutions to new representational problems. Few Italian drawings survive from the early fifteenth century, but a rapid increase in the production and use of paper has resulted in the survival of enough later fifteenth-century drawings to permit a reconstruction of their role in artistic practice. The book opens with a brief history of earlier drawings and a discussion of the various artistic problems which drawings could help to resolve. Through the works of the major fifteenthcentury draughtsmen ? Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci ? Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon. He considers the problems and possibilities of different techniques and investigates studio practice and the relation of the drawing to the final work of art. This incisive introduction to the subject of early Renaissance drawings throws fresh light on one of the great centuries of Italian art, and by reflection illuminates further the activities of the masters of the High Renaissance. - Francis Ames-Lewis is Professor of the History of Renaissance Art at Birkbeck College, University of London. ISBN 9780300079814Kunstgeschichte 2000, [PU: Yale University Press]<

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Drawing in Early Renaissance Italy Rev Ed: Revised Edition - Ames?lewis, Francis

(*)

Ames?lewis, Francis:
Drawing in Early Renaissance Italy Rev Ed: Revised Edition - Livres de poche

2000, ISBN: 9780300079814

Yale University Press, Paperback, Auflage: Second Edition, 208 Seiten, Publiziert: 2000-03-08T00:00:01Z, Produktgruppe: Book, 0.71 kg, Verkaufsrang: 1894894, Special Features, Books, Them… Plus…

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Drawing in Early Renaissance Italy: Revised Edition - Ames-Lewis, Francis

(*)

Ames-Lewis, Francis:
Drawing in Early Renaissance Italy: Revised Edition - Livres de poche

2000, ISBN: 0300079818

[EAN: 9780300079814], Used, very good, [SC: 23.77], [PU: Yale University Press], Very Good Copy, Books

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Drawing in Early Renaissance Italy: Revised Edition - Ames-Lewis, Francis

(*)

Ames-Lewis, Francis:
Drawing in Early Renaissance Italy: Revised Edition - Livres de poche

2000, ISBN: 0300079818

[EAN: 9780300079814], Used, very good, [SC: 26.11], [PU: Yale University Press], Books

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Drawing in Early Renaissance Italy. - Ames-Lewis, Francis

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Ames-Lewis, Francis:

Drawing in Early Renaissance Italy. - Livres de poche

2000, ISBN: 9780300079814

[PU: New Haven ; London : Yale University Press], XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of … Plus…

[PU: New Haven ; London : Yale University Press], XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed, somewhat stained edge, otherwise very good and clean. / Leicht berieben, etwas angeschmutzter Schnitt, sonst sehr gut und sauber. - During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. By 1500 it had become fundamental to the training and practice of the Italian artist and the primary means by which he explored new interests and discovered solutions to new representational problems. Few Italian drawings survive from the early fifteenth century, but a rapid increase in the production and use of paper has resulted in the survival of enough later fifteenth-century drawings to permit a reconstruction of their role in artistic practice. The book opens with a brief history of earlier drawings and a discussion of the various artistic problems which drawings could help to resolve. Through the works of the major fifteenthcentury draughtsmen — Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci — Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon. He considers the problems and possibilities of different techniques and investigates studio practice and the relation of the drawing to the final work of art. This incisive introduction to the subject of early Renaissance drawings throws fresh light on one of the great centuries of Italian art, and by reflection illuminates further the activities of the masters of the High Renaissance. - Francis Ames-Lewis is Professor of the History of Renaissance Art at Birkbeck College, University of London. ISBN 97803, DE, [SC: 4.50], gebraucht; sehr gut, gewerbliches Angebot, [GW: 675g], 2nd ed., Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

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Ames-Lewis, Francis:

Drawing in Early Renaissance Italy. 2nd ed. - Livres de poche

2000, ISBN: 9780300079814

New Haven ; London, Yale University Press, XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Cla… Plus…

New Haven ; London, Yale University Press, XI, 196 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed, somewhat stained edge, otherwise very good and clean. / Leicht berieben, etwas angeschmutzter Schnitt, sonst sehr gut und sauber. - During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. By 1500 it had become fundamental to the training and practice of the Italian artist and the primary means by which he explored new interests and discovered solutions to new representational problems. Few Italian drawings survive from the early fifteenth century, but a rapid increase in the production and use of paper has resulted in the survival of enough later fifteenth-century drawings to permit a reconstruction of their role in artistic practice. The book opens with a brief history of earlier drawings and a discussion of the various artistic problems which drawings could help to resolve. Through the works of the major fifteenthcentury draughtsmen ? Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci ? Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon. He considers the problems and possibilities of different techniques and investigates studio practice and the relation of the drawing to the final work of art. This incisive introduction to the subject of early Renaissance drawings throws fresh light on one of the great centuries of Italian art, and by reflection illuminates further the activities of the masters of the High Renaissance. - Francis Ames-Lewis is Professor of the History of Renaissance Art at Birkbeck College, University of London. ISBN 9780300079814Kunstgeschichte 2000, [PU: Yale University Press]<

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Drawing in Early Renaissance Italy Rev Ed: Revised Edition - Ames?lewis, Francis

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Ames?lewis, Francis:
Drawing in Early Renaissance Italy Rev Ed: Revised Edition - Livres de poche

2000

ISBN: 9780300079814

Yale University Press, Paperback, Auflage: Second Edition, 208 Seiten, Publiziert: 2000-03-08T00:00:01Z, Produktgruppe: Book, 0.71 kg, Verkaufsrang: 1894894, Special Features, Books, Them… Plus…

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Drawing in Early Renaissance Italy: Revised Edition - Ames-Lewis, Francis

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Ames-Lewis, Francis:
Drawing in Early Renaissance Italy: Revised Edition - Livres de poche

2000, ISBN: 0300079818

[EAN: 9780300079814], Used, very good, [SC: 23.77], [PU: Yale University Press], Very Good Copy, Books

NOT NEW BOOK. Frais d'envoi EUR 23.77 Big Bill's Books, Austin, TX, U.S.A. [74145536] [Rating: 5 (of 5)]

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Drawing in Early Renaissance Italy: Revised Edition - Ames-Lewis, Francis

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Ames-Lewis, Francis:
Drawing in Early Renaissance Italy: Revised Edition - Livres de poche

2000, ISBN: 0300079818

[EAN: 9780300079814], Used, very good, [SC: 26.11], [PU: Yale University Press], Books

NOT NEW BOOK. Frais d'envoi EUR 26.11 Hafa Adai Books, Moncks Corner, SC, U.S.A. [82795001] [Rating: 5 (of 5)]

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Drawing in Early Renaissance Italy Rev Ed: Revised Edition

Auteur:	Ames?lewis, Francis
Titre:	Drawing in Early Renaissance Italy Rev Ed: Revised Edition
ISBN:	0300079818

During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century -- Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo -- in order to discuss the new types of drawing that evolved.

Informations détaillées sur le livre - Drawing in Early Renaissance Italy Rev Ed: Revised Edition

EAN (ISBN-13): 9780300079814
ISBN (ISBN-10): 0300079818
Livre de poche
Date de parution: 2000
Editeur: Yale University Press
208 Pages
Poids: 0,685 kg
Langue: eng/Englisch

Livre dans la base de données depuis 2007-10-25T23:14:01+02:00 (Zurich)
Page de détail modifiée en dernier sur 2024-02-10T04:56:33+01:00 (Zurich)
ISBN/EAN: 0300079818

ISBN - Autres types d'écriture:
0-300-07981-8, 978-0-300-07981-4
Autres types d'écriture et termes associés:
Auteur du livre: francis ames lewis, frances ames lewis
Titre du livre: drawing early renaissance italy, art renaissance italy

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2900300079813 Drawing in Early Renaissance Italy (Francis Ames-Lewis)

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