When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, … Plus…
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women.Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. New Textbooks>Trade Paperback>Social Sciences>Womens Studies>Womens Studies, Harvard University Press Core >1 >T<
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When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century… Plus…
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." "Female Spectacle" reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. Media > Book, [PU: Harvard University Press]<
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[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her f… Plus…
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals t., Books<
[EAN: 9780674009905], Usado, [SC: 32.29], [PU: Harvard University Press], Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc., Books
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SecondSale, Montgomery, IL, U.S.A. [52274160] [Calificación: 5 (de 5)] NOT NEW BOOK. Frais d'envoi EUR 32.29 Details...
(*) Livre non disponible signifie que le livre est actuellement pas disponible à l'une des plates-formes associées nous recherche.
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, … Plus…
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women.Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. New Textbooks>Trade Paperback>Social Sciences>Womens Studies>Womens Studies, Harvard University Press Core >1 >T<
new in stock. Frais d'envoizzgl. Versandkosten., Livraison non-comprise
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century… Plus…
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." "Female Spectacle" reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. Media > Book, [PU: Harvard University Press]<
used in stock. Frais d'envoizzgl. Versandkosten., Livraison non-comprise
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her f… Plus…
[EAN: 9780674009905], Neubuch, [PU: HARVARD UNIV PR], PERFORMING ARTS SOCIAL SCIENCE FEMINISM & FEMINIST THEORY THEATER HISTORY CRITICISM WOMEN\\'S STUDIE, When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals t., Books<
[EAN: 9780674009905], Usado, [SC: 32.29], [PU: Harvard University Press], Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc., Books
NOT NEW BOOK. Frais d'envoi EUR 32.29 SecondSale, Montgomery, IL, U.S.A. [52274160] [Calificación: 5 (de 5)]
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Données bibliographiques du meilleur livre correspondant
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women."< /p>
Informations détaillées sur le livre - Female Spectacle: The Theatrical Roots of Modern Feminism Susan A. Glenn Author
EAN (ISBN-13): 9780674009905 ISBN (ISBN-10): 0674009908 Livre de poche Date de parution: 2002 Editeur: Harvard University Press Core >1 >T 336 Pages Poids: 0,481 kg Langue: eng/Englisch
Livre dans la base de données depuis 2007-05-27T22:10:16+02:00 (Zurich) Page de détail modifiée en dernier sur 2024-01-27T09:28:21+01:00 (Zurich) ISBN/EAN: 0674009908
ISBN - Autres types d'écriture: 0-674-00990-8, 978-0-674-00990-5 Autres types d'écriture et termes associés: Auteur du livre: goldman emma, sarah bernhardt, glenn Titre du livre: spectacle, roots
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