2000, ISBN: 9781566890823

Livres de poche, Edition reliée

Hardback. New. This book explores Andy Warhol's creative engagement with social class. During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and st… Plus…

Hardback. New. This book explores Andy Warhol's creative engagement with social class. During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol's work appropriated images, techniques, and technologies that have long been described as generically &quot;American&quot; or &quot;middle class.&quot; Drawing on archival and theoretical research into Warhol's contemporary cultural milieu, Grudin demonstrates that these features of Warhol's work were in fact closely associated with the American working class. The emergent technologies which Warhol conspicuously employed to make his work home projectors, tape recorders, film and still cameras were advertised directly to the working class as new opportunities for cultural participation. What's more, some of Warhol's most iconic subjects Campbell's soup, Brillo pads, Coca-Cola were similarly targeted, since working-class Americans, under threat from a variety of directions, were thought to desire the security and confidence offered by national brands. Having propelled himself from an impoverished childhood in Pittsburgh to the heights of Madison Avenue, Warhol knew both sides of this equation: the intense appeal that popular culture held for working-class audiences and the ways in which the advertising industry hoped to harness this appeal in the face of growing middle-class skepticism regarding manipulative marketing. Warhol was fascinated by these promises of egalitarian individualism and mobility, which could be profound and deceptive, generative and paralyzing, charged with strange forms of desire. By tracing its intersections with various forms of popular culture, including film, music, and television, Grudin shows us how Warhol's work disseminated these promises, while also providing us with a record of their intricate tensions and transformations., 6, Village Voice, 1968. Soft. Very Good. Original The Village Voice Newspaper December 19, 1968 12 X 16.5 Tall with 72 pages Condition: Very Good, yellowed from age, mailing label, edge tear, smudge on cover, COMPLETE Ice Age in Wahington Square - with Photos Lindsay Warned of Expressway Air Pollution High School Radicals mostly Black by Steve Lerner Village Bulletin Board - Classifieds (Pop Culture of 1968) Air Pollution Mutiny: Electric Vehicle by Mary Perot Nichols Nipponcraft Importers Ad Letters Feiffer Cartoon Southern Courier Southern Courier Closed - Atlanta Ga. by Paul Good A, a novel: Andy Warhol Novel Ad Sideburn Fairy by Arnold Kazmier Bookstore Ads Hog Farm Commune and Hugh Romney with photo Robert Benedetto in East Village by Grace Lichtenstein TV by Stephanie Harrington Benedict J. Fernandez Art by John Perreault: Anti-Form Battle of the schools in Ocean Hill-Brownsville and in East Harltem by Nat Hentoff Janis Ian photo East Village ADs Outside Fashion Xmas ADs Brakes by Daniel List - Car News David Mcreynolds Peace and Freedom's Candidate Jazz Journal by Michael Zwerin An Eclectic Christmas Musical Ad Norman Mailer - Who is the Enemy? Ad Coppelia Ad Earth Opera, Blood Sweat & Tears Ad for Dec. 27th Dance Journal by Jill Johnston Clothing and Suit Ads Johnny Winter with photo The Fool LP Ad Grateful Dead Full page Ad for Miami Pop Festival Dec. 29 1968 https://en.wikipedia.org/wiki/Miami_Pop_Festival_(December_1968) Dynamite Ad Theatre by Julius Novick etc 9 pages of Classifieds What's On Events of the Week - 1 full rear page, Village Voice, 1968, 3, Austin Museum of Art, Austin, Texas, 2000. paperback. fine. Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, installations, films, videos, photographs, and documents from the United States and Europe, it explores how twenty artists, including Wallace Berman, Bruce Conner, Lee Friedlander, Dennis Hopper, Edward Kienholz, Yoko Ono, Nam June Paik, Robert Rauschenberg, Wolf Vostell, Andy Warhol, Tom Wesselmann, and Garry Winogrand, responded to the increased prominence of television in daily life during the early 1960s. Working in modes and styles as varied as collage and assemblage, Pop Art, Color Field Painting, Fluxus, Performance Art, and documentary photography, these artists engaged with the perceptual, technological, and social changes catalyzed in part by the emergence of television as the dominant mass medium., Austin Museum of Art, Austin, Texas, 2000, 5, Minneapolis: Coffee House Press, 1999. iii, 268 pages, [8] pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in San Francisco. A fine copy of the first printing. '66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - 'the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.' Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame." - Publisher.. SIGNED. 1st.. Paperback. Very Good. 8vo. Collectible., Coffee House Press, 1999, 3<

1999, ISBN: 1566890829

Livres de poche, Première édition

[EAN: 9781566890823], Gebraucht, sehr guter Zustand, [PU: Coffee House Press, Minneapolis], COLLECTIBLE, iii, 268 pages, 8 unnumbered pages of plates, illustrations; 22 cm. PRESENTATION C… Plus…

[EAN: 9781566890823], Gebraucht, sehr guter Zustand, [PU: Coffee House Press, Minneapolis], COLLECTIBLE, iii, 268 pages, 8 unnumbered pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in San Francisco. A fine copy of the first printing. '66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - 'the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.' Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame." - Publisher. Size: 8vo - over 7¾" - 9¾" tall, Books<

1999, ISBN: 9781566890823

Livres de poche

Minneapolis: Coffee House Press, 1999. iii, 268 pages, 8 unnumbered pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Book… Plus…

Minneapolis: Coffee House Press, 1999. iii, 268 pages, 8 unnumbered pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in San Francisco. A fine copy of the first printing. '66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - 'the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.' Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame." - Publisher.. SIGNED. 1st.. Paperback. Very Good. 8vo. Collectible., Coffee House Press, 1999, 3<

1999, ISBN: 1566890829

Livres de poche, Première édition

[EAN: 9781566890823], Gebraucht, sehr guter Zustand, [PU: Coffee House Press, Minneapolis], COLLECTIBLE, iii, 268 pages, [8] pages of plates, illustrations; 22 cm. PRESENTATION COPY. Sign… Plus…

[EAN: 9781566890823], Gebraucht, sehr guter Zustand, [PU: Coffee House Press, Minneapolis], COLLECTIBLE, iii, 268 pages, [8] pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in San Francisco. A fine copy of the first printing. '66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - 'the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.' Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame." - Publisher. Size: 8vo, Books<

1999, ISBN: 9781566890823

Livres de poche

Minneapolis: Coffee House Press, 1999. iii, 268 pages, [8] pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in … Plus…

Minneapolis: Coffee House Press, 1999. iii, 268 pages, [8] pages of plates, illustrations; 22 cm. PRESENTATION COPY. Signed and warmly inscribed by the author at City Lights Bookstore in San Francisco. A fine copy of the first printing. '66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - 'the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.' Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame." - Publisher.. SIGNED. 1st.. Paperback. Very Good. 8vo. Collectible., Coffee House Press, 1999, 3<