2005, ISBN: 9781403916457

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Roma: Edizioni del Drago. Quadrilingual: Français / Espagnol / English / German.. Very good condition with only minor signs of external wear / Sehr guter Zustand mit nur geringen … Plus…

Roma: Edizioni del Drago. Quadrilingual: Français / Espagnol / English / German.. Very good condition with only minor signs of external wear / Sehr guter Zustand mit nur geringen Gebrauchsspuren.. Quadrilingual: Français / Espagnol / English / German. Roma, Edizioni del Drago, 1962. 23,5 cm x 17,2 cm. 95 pages / seiten. With 83 black-and-white plates / Mit 83 schwarz-weißen Illustrationen. Original Softcover. Very good condition with only minor signs of external wear / Sehr guter Zustand mit nur geringen Gebrauchsspuren. Gian Lorenzo Bernini (7 December 1598 – 28 November 1680) was an Italian sculptor and architect[1] who worked principally in Rome. A major figure in the world of architecture, he was the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, 'What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful...' In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), also designing stage sets and theatrical machinery, as well as a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As architect and city planner, he designed both secular buildings and churches and chapels, as well as massive works combining both architecture and sculpture, especially elaborate public fountains and funerary monuments and a whole series of temporary structures (in stucco and wood) for funerals and festivals. (Wikipedia). Gian Lorenzo Bernini, auch: Giovanni Lorenzo Bernini (* 7. Dezember 1598 in Neapel; † 28. November 1680 in Rom) war einer der bedeutendsten italienischen Bildhauer und Architekten des Barocks. Ausgebildet wurde er in der Bildhauerwerkstatt seines Vaters Pietro Bernini (1562–1629). Dieser kam 1606 mit dem Sohn nach Rom, um die Cappella Paolina für Papst Paul V. Borghese zu bauen. Zwischen 1618 und 1625 schuf Bernini für den Kardinalnepoten Scipione Borghese die berühmten mythologischen Skulpturengruppen: Äneas und Anchises, Raub der Proserpina 1621/22, Apollo und Daphne und David. Sie fallen durch ihre außergewöhnliche Dynamik, Bewegungsrichtung, dramatische Licht-Schatten-Effekte und erregte Gebärden auf. Heute sind diese Werke in der Villa Borghese in Rom zu sehen. Sein wichtigster Förderer, Papst Urban VIII., betraute den jungen Bernini mit dem Bau des Baldachins (Ziboriums) über dem Petrusgrab im Petersdom, den Bernini mit der Hilfe Borrominis aus der Bronze-Verkleidung des Gebälks der Vorhalle des Pantheon anfertigte (1624–1633). Bemerkenswert an seinen architektonischen Arbeiten ist die Mischung aus Skulptur und Architektur, die auch in der Verzückung der Heiligen Theresa (1646–1652), in der Cathedra Petri (1656–1666) oder in der von ihm errichteten Kirche Sant’Andrea al Quirinale (1658–1670) zu beobachten ist. Bernini vollendete 1629 den Palazzo Barberini, schuf unter anderem die Kolonnaden am Petersplatz (1656–1667 unter Alexander VII.) und errichtete den Vierströmebrunnen auf der Piazza Navona (1647–1651 unter Innozenz X.). Bernini arbeitete im Laufe seines Lebens für acht Päpste und verließ Rom nicht – bis auf eine Ausnahme: Der „Sonnenkönig“ Ludwig XIV. rief ihn, um Pläne für den Neubau des Louvre (1665) in Paris auszuarbeiten. Wenngleich sie nie ausgeführt wurden, hatten sie dennoch nachhaltigen Einfluss auf die europäische Profanbaukunst. Berninis großzügiger und dem klassizistischen Barock zuzurechnender Stil blieb allerdings nicht ohne Kritik. So warf ihm Borromini vor, in unorigineller Weise die stilistischen Errungenschaften Michelangelos zu kopieren. Begraben ist Bernini in einem schlichten Grab in der Kirche Santa Maria Maggiore in Rom. (Wikipedia)., Edizioni del Drago, Palgrave Macmillan, UK, 2005. First Edition. Hardcover. Fine Condition. 208 Pages. Applied Drama offers an insight into theatre-making that takes place in communities across the world. It celebrates the gift of practice which takes place in different, and sometimes unglamorous settings: prisons, schools, hostels for the homeless, care homes for the elderly, and on the street. Book Description: Applied Drama offers an insight into theatre-making that takes place in communities across the world. It celebrates the gift of practice which takes place in different, and sometimes unglamorous settings: prisons, schools, hostels for the homeless, care homes for the elderly, and on the street.: Applied Drama: - raises questions such as what is 'applied drama' or 'applied theatre'? What is it for? What might its value be?: - maps the theoretical terrain alongside examples of practice of applied drama and theatre: - explores how interventionist theatre might maintain and redefine its radicalism, its commitment to human rights, and its creativity in an increasingly globalized world: - suggests that theatre-making offers an opportunity to explore and enact what it means to be ethical, participant citizens today.: Ideal for students and practitioners, Helen Nicholson's lively study poses critical questions about the efficacy of applied drama, prompting debate about the significance of theatre in society as a whole. : About the Author: HELEN NICHOLSON lectures in Drama and Theatre at Royal Holloway, University of London, UK, where she specialises in applied drama. A former teacher of drama in secondary schools, she continues to work as a practitioner in many different community contexts, and is editor of the journal Research in Drama Education. Size: 14 x 1.3 x 21.6 cm. 208 pages. Quantity Available: 1. Category: Music; ISBN: 1403916454. ISBN/EAN: 9781403916457. . 9781403916457, Palgrave Macmillan, 2005<

2005, ISBN: 9781403916457

Palgrave Macmillan, UK, 2005. First Edition. Hardcover. Fine Condition. 208 Pages. Applied Drama offers an insight into theatre-making that takes place in communities across the worl… Plus…

Palgrave Macmillan, UK, 2005. First Edition. Hardcover. Fine Condition. 208 Pages. Applied Drama offers an insight into theatre-making that takes place in communities across the world. It celebrates the gift of practice which takes place in different, and sometimes unglamorous settings: prisons, schools, hostels for the homeless, care homes for the elderly, and on the street. Book Description: Applied Drama offers an insight into theatre-making that takes place in communities across the world. It celebrates the gift of practice which takes place in different, and sometimes unglamorous settings: prisons, schools, hostels for the homeless, care homes for the elderly, and on the street.: Applied Drama: - raises questions such as what is 'applied drama' or 'applied theatre'? What is it for? What might its value be?: - maps the theoretical terrain alongside examples of practice of applied drama and theatre: - explores how interventionist theatre might maintain and redefine its radicalism, its commitment to human rights, and its creativity in an increasingly globalized world: - suggests that theatre-making offers an opportunity to explore and enact what it means to be ethical, participant citizens today.: Ideal for students and practitioners, Helen Nicholson's lively study poses critical questions about the efficacy of applied drama, prompting debate about the significance of theatre in society as a whole. : About the Author: HELEN NICHOLSON lectures in Drama and Theatre at Royal Holloway, University of London, UK, where she specialises in applied drama. A former teacher of drama in secondary schools, she continues to work as a practitioner in many different community contexts, and is editor of the journal Research in Drama Education. Size: 14 x 1.3 x 21.6 cm. 208 pages. Quantity Available: 1. Category: Music; ISBN: 1403916454. ISBN/EAN: 9781403916457. Inventory No: X121-1326. . 9781403916457, Palgrave Macmillan, 2005<

ISBN: 1403916454

Helen Nicholson examines the ways in which drama and theatre have been applied to different community and educational contexts. She provides an overview of the theoretical concepts underp… Plus…

Helen Nicholson examines the ways in which drama and theatre have been applied to different community and educational contexts. She provides an overview of the theoretical concepts underpinning practice in applied drama and theatre and examines a range of practices in the light of contemporary theoretical and political concerns. Applied drama has a radical democratic history, and this book explores how practitioners confront questions of community, creativity and citizenship in theatre which is orientated towards social change. arts music and photography,history and criticism,humor and entertainment,performing arts,theater Performing Arts, Palgrave Macmillan<

2005, ISBN: 1403916454

[SR: 5113600], Hardcover, [EAN: 9781403916457], Palgrave Macmillan, Palgrave Macmillan, Book, [PU: Palgrave Macmillan], 2005-09-20, Palgrave Macmillan, 270562, History, 270524, Performing… Plus…

[SR: 5113600], Hardcover, [EAN: 9781403916457], Palgrave Macmillan, Palgrave Macmillan, Book, [PU: Palgrave Macmillan], 2005-09-20, Palgrave Macmillan, 270562, History, 270524, Performing Arts, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 275080, Literary Studies, 275068, History & Criticism, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books<