2009, ISBN: 9781905375509

[SC: 12.5], [PU: Brepols - Harvey Miller 2009], THE SHADOW OF RUBENS SCHILDERKUNST ART KUNST PAINT SCHILDER BEAUX ARTS, SCIENCES ANTIQUE ANTIEK DECO BEELDHOUWKUNST BEELDEN SCULPTUREN & AR… Plus…

[SC: 12.5], [PU: Brepols - Harvey Miller 2009], THE SHADOW OF RUBENS SCHILDERKUNST ART KUNST PAINT SCHILDER BEAUX ARTS, SCIENCES ANTIQUE ANTIEK DECO BEELDHOUWKUNST BEELDEN SCULPTUREN & ARCHITECTURE SCHILDEREN FOTOGRAFIE ART, HISTOIRE ET PATRIMOINE, NOUVEAUTÉS, ARTS PLASTIQUES, CULTURE, HISTOIRE, LIVRE, SIÈCLE ARTISTE PEINTRE PHOTO ARCHITECTUUR, LIFESTYLE, Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009). 0 g.<

2009, ISBN: 9781905375509

Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print production in the 17th century … Plus…

Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009)., BE, gewerbliches Angebot, [PU: Brepols - Harvey Miller, 2009], Banküberweisung, Offene Rechnung, PayPal, Skrill/Moneybookers, Internationaler Versand<

2009, ISBN: 9781905375509

Brepols - Harvey Miller 2009. Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print… Plus…

Brepols - Harvey Miller 2009. Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009)., Brepols - Harvey Miller 2009, 0<

ISBN: 9781905375509

Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509. The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book pres… Plus…

Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509. The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book presents resents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time., BE, gewerbliches Angebot, [PU: Turnhout, Brepols], Banküberweisung, Offene Rechnung, PayPal, Skrill/Moneybookers, Internationaler Versand<

ISBN: 9781905375509

Turnhout Brepols . Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509. The Print Collection of the Royal Library of Belgium (HM… Plus…

Turnhout Brepols . Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509. The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book presents resents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time., Turnhout Brepols, 0<