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Breaking the Glass Armor: Breaking The Glass Armor - Kristin Thompson
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Kristin Thompson:
Breaking the Glass Armor: Breaking The Glass Armor - nouveau livre

ISBN: 9780691014531

ID: 978069101453

Classical works have for us become covered with the glassy armor of familiarity, wrote Victor Shklovsky in 1914. Here Kristin Thompson defamiliarizes the reader with eleven different films. Developing the technique formulated in her Eisenstein''s Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually.Thompson''s analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati''s Les Vacances de Monsieur Hulot and Play Time and Godard''s Tout va bien and Sauve qui peut (la vie).Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book''s overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole. Kristin Thompson, Books, Entertainment, Breaking the Glass Armor: Breaking The Glass Armor Books>Entertainment, Princeton University Press

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Breaking the Glass Armor: Neoformalist Film Analysis - Thompson, Kristin
(*)
Thompson, Kristin:
Breaking the Glass Armor: Neoformalist Film Analysis - livre d'occasion

1981, ISBN: 9780691014531

ID: 2544381

"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole. Breaking the Glass Armor: Neoformalist Film Analysis Thompson, Kristin, Princeton University Press

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Breaking the Glass Armor - Kristin Thompson
(*)
Kristin Thompson:
Breaking the Glass Armor - livre d'occasion

1981, ISBN: 0691014531

ID: 4706830

Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible arts music and photography,history and criticism,humor and entertainment,movies,performing arts,theory Movies, Princeton University Press

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Breaking the Glass Armor: Neoformalist Film Analysis - Thompson, K,
(*)
Thompson, K,:
Breaking the Glass Armor: Neoformalist Film Analysis - nouveau livre

ISBN: 9780691014531

ID: 15dac89a0c8d459f54c08e945a51746c

"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by play, [PU: Princeton University Press]

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Breaking the Glass Armor - Kristin Thompson
(*)
Kristin Thompson:
Breaking the Glass Armor - Livres de poche

1988, ISBN: 9780691014531

ID: 313035

Softcover, Buch, [PU: Princeton University Press]

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Détails sur le livre
Breaking the Glass Armor: Neoformalist Film Analysis

Here Kristin Thompson 'defamiliarizes' the reader with eleven different films. Developing the technique formulated in her Eisenstein's 'Ivan the Terrible', she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually.

Informations détaillées sur le livre - Breaking the Glass Armor: Neoformalist Film Analysis


EAN (ISBN-13): 9780691014531
ISBN (ISBN-10): 0691014531
Version reliée
Livre de poche
Date de parution: 1988
Editeur: PRINCETON UNIV PR
420 Pages
Poids: 0,626 kg
Langue: eng/Englisch

Livre dans la base de données depuis 08.05.2007 16:13:09
Livre trouvé récemment le 25.03.2019 10:36:03
ISBN/EAN: 0691014531

ISBN - Autres types d'écriture:
0-691-01453-1, 978-0-691-01453-1


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